On view at the Whitney Museum of Art from now until February 15, 2009 is a delightful exhibit of toys, sculptures and toy-like sculptures by Alexander Calder (1898-1976). The exhibit covers Calder's early years in Paris, when he was first learning to transition away from painting to become a sculptor. Like a child playing with new materials, in those years he did loose wire sketches and ink drawings with a remarkable freedom of experimentation. They are a joy to see.
Above: Calder in Paris in 1930 (Image: Calder Foundation)
It is little-known that in his early years Calder made a living working as a toy designer for the Gould Toy Company of Oshkosh, Wisconsin. The monthly fees he was paid enabled him to independently pursue his career as a fine artist.
The Whitney's exhibit also contains several playful films created by Calder, in which his creations are put into motion by the artist himself. This in particular makes the show a wonderful place to bring children, as in many of the films Calder lays on the floor like an overgrown child, literally playing with the toys he designed.
Children will love marching around the show identifying all the animals. There is an enthralling circus installation Calder made with wire, wood and painted fabric and its accompanying film. As well as being entertaining for kids, this work is considered critical in the history of Modern Art for including motion as an integral part of the artwork for the first time.
And because this is Art and Hunger, this post would not be complete if we didn't recommend a wonderful Italian cafe right down the street where you can sip an espresso after the exhibition.
Sant'Ambroeus is one of the most authentic, genuine Italian cafes in the city. The lovely, vintage-inspired logo design and even the interior decor mimics every detail of what real cafes in Italy are like. You can grab a panini or a brioche to get your spirits back up for more art-viewing.
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